EARLYBIRDS CLUB – 80s PARTY

Description Grab the Aqua Net and cut the fingers off your gloves–Pawtucket’s gonna party 80s style on Jan 10! Dance to rad 80s music from pop to hip-hop at this party designed for women and gender-expansive folks that starts and ends early … because we have sh*t to do in the morning!    10% of ticket proceeds go to Girl Scouts of Southeastern New England. Note: By purchasing these tickets, you are consenting to be photographed for promotional purposes. People of all backgrounds and identities are encouraged to attend all of our events.  

BLACKBEARD’S DARK XMAS PARTY

Blackbeard’s Dark X-Mas Party   When the lights go low, the season gets sultry. From 8pm–12am, our stage ignites with a wickedly festive burlesque show followed by a live band, a four-hour descent into velvet, glitter, and deliciously dark holiday mischief. Expect luxe costumes, razor sharp choreography, and music that slinks from slow burn tease to full throttle revelry. Antlers, horns, and dark naughty list attire strongly encouraged.  

BLACKBEARD’S HALLOWEEN PARTY

General admission includes entry to the Halloween party, live DJ entertainment, dancing, and the costume contest. The winner of the best costume contest will receive a $250 cash prize. A full bar will be available inside, with a food truck outside. Costumes are encouraged but not required. All costumes must be street legal and appropriate for a public performance venue. All ticket types provide the same general admission access. A four-pack admits four people – each ticket $20  $18+ Event Early Bird Four Pack $80 ($20 each ticket) – Good for 4 People – Only 10 available    Private Table for 2:  -$80 pre-sale ($40 per person)  / $100 at door per table -16 tables available   General Admission: -$25 pre-sale / $35 at the door    

Lupo’s & The Met 50th Anniversary Kickoff with LIGHTNING BOLT

Lightning Bolt play with abandon that is unmatched and remarkably undiluted since the duo’s formation 25 years ago. They are often called one of the loudest rock outfits in existence, both on record and on (or famously, oB) the stage. Brian Gibson creates sounds that are unexpected and remarkably varied with his virtuosic bass playing and his inventive approach to the instrument, centered around melody rather than rhythm. The dizzying fury of Brian Chippendale’s drums twist from primal patterns into disorienting break beats as his distorted, looped, and echoing vocals weave more melody into the mayhem. Amidst the fray there has always been shreds of a pop songs discernible in the eye of every Lightning Bolt song. For their seventh full length, Sonic Citadel, Gibson and Chippendale have done the daring, stripping away some of the distortion mask to reveal the naked pop forms as never before. Their relentless energy, inventiveness and, unrestrained joy still drive their songs, pulling you in and compelling you to bounce and yes, even sing along.

48 HOUR FILM HORROR PROJECT

See the best horror films in Providence and have a spooky good time. We’ll have a fun host, some spooky surprises, and celebrate community filmmaking. The night will end with awards being given out to the best films. Doors at 6pm. When awards are handed out, filmmakers will have time to do a mini Q+A with the audience. Host TBD.

RYAN MONTBLEAU BAND

RYAN MONTBLEAU A relentless road warrior and masterful wordsmith, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty, Galactic, Steel Pulse, Tall Heights, Martin Sexton, Anders Osborne, and George Porter, Jr; shared bills with the likes of Tedeschi Trucks Band, Ani DiFranco, Todd Snider, The Wood Brothers, Rodrigo y Gabriela, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent, soulful songwriting” to Bill Withers and James Taylor, while Relixcelebrated his “poetic Americana,” and The Boston Herald raved that “he’s made a career of confident, danceable positivity.” Montbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before, touching on folk, rock, funk, soul, hip-hop, and reggae, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable, grappling with a modern world perpetually teetering on the edge of chaos, but the performances are relentlessly optimistic, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love.